Works

My paintings develop through an intuitive process, without preliminary sketches. I build the surface through layers of acrylic—diluting, erasing and rebuilding until the work finds its own internal balance.

Across different bodies of work, I return to the tension between stillness and movement, presence and disappearance, proximity and distance. Open spaces, traces and fragments remain visible, holding both quiet and unease.

I am not interested in describing a specific place or fixing a single narrative. I want each painting to remain open: a space in which material, memory and feeling can meet and continue to change.